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Viacom 18’s Anshul Ailawadi: ‘We are investing in music production’
Recently, Viacom 18’s Youth, Music and English Entertainment (YME) cluster comprising MTV, MTV Beats, Comedy Central, Colors Infinity and Vh1 unveiled…
March 16, 2022
Mansi Jain: ‘Roposo plans to groom the top 1,000 live commerce creators in the country’
Roposo – launched in 2014, and acquired by Glance, a subsidiary of InMobi – has been on an…
March 11, 2022
Deborah Smith: ‘Don’t undervalue the work of musicians for a quick win’
One of the biggest problems about music publishing is the complete focus on sync. Sure, getting a sync…
March 4, 2022
Jonita Gandhi’s ‘Arabic Kuthu’ crosses 100 million views
Since its release on February 14, ‘Arabic Kuthu’ from the film ‘Beast’ has gone viral all over the…
March 2, 2022
Rakesh Nigam: Embrace Fair Pay and Fair Play of Music
In the last two years, the Indian Performing Right Society Ltd (IPRS) distributed over Rs 325 crores in…
February 25, 2022
Outdustry: ‘Indian fans stay loyal to their artists’
On November 17, 2021 Indian hip-hop producer, Sez on the Beat sold his Moonhead NFTs in a record…
February 11, 2022
Nikhil Nagaraj: ‘3D audio is limitless’
Nikhil Nagaraj believes 3D audio simulates our natural sense of hearing. The Bangalore-based sound artist who has been…
February 4, 2022
Homegrown BeatOven makes AI-generated music
The Indian Music Industry has reported that as a result of non-voluntary licensing regimes, the recorded music industry…
February 3, 2022
Gaurav Dagaonkar: Hoopr will make music licensing simple and seamless.
Last month, music licensing app Hoopr secured $1.5 million in a seed funding round led by 9Unicorns and…
January 28, 2022
IMI’s Blaise Fernandes: ‘Misuse of Safe Harbour Provisions erodes value for all stakeholders’
Every country in the world has an organisation like the Indian Music Industry (IMI). For instance, in the US,…
January 24, 2022