The National Music Publishers’ Association (NMPA), the Nashville Songwriters Association International (NSAI) and the Songwriters of North America (SONA) on 4th February unveiled broad endorsements for their industry-consensus Mechanical Licensing Collective (MLC) submission to the U.S. Copyright Office (USCO).
“Our Mechanical Licensing Collective submission provides a comprehensive roadmap to the Copyright Office to establish the first collective of its kind. The MLC will give songwriters the money they deserve and the transparency they’ve lacked for decades. The board and committee members are the best in the business and the vast endorsements come from the many coalition members who were instrumental in the passage of the MMA. We look forward to continuing in the USCO’s designation process and the day we can finally say songwriters have the representation they’ve earned,” said David Israelite, NMPA President & CEO.
The submission, which will be filed by March 21st, creates the collective required by the Music Modernization Act (MMA) to license and administer mechanical rights. Additionally, the groups announced the MLC Board and Committee appointments and launched the MLC website, SongConnect.org, as well as a website for all of the songwriters and artists who support the MLC to officially endorse supportthemlc.com.
The Music Modernization Act (MMA) requires that the MLC is endorsed by, and enjoys substantial support from, musical work copyright owners that together represent the greatest percentage of the licensor market for uses of such works in covered activities.
“NSAI, SONA and NMPA worked on the Music Modernization Act for years, guided its adoption and believe we are the best group in terms of expertise and experience to undertake the challenge of building a new mechanical licensing entity. We are proud of our fair and open process which has led to such a strong and representative slate of songwriters on the board and committees. The music industry and American songwriters assisted us in ensuring passage of the MMA and we are confident they will agree that the Music Licensing Collective, created by our organisations and NMPA, should be the agency controlling licensing of their copyrights,” said NSAI and SONA.
On Monday, the overwhelming majority of copyright owners who together represent the majority of musical works in the U.S. have voiced support for the MLC submission, and joining them are performance rights organisations, record labels and many other organisations. The Board and Committee seats were designated by the MMA and the selections were chosen by two advisory groups.
The songwriters can go to supportthemlc.com to offer their endorsement of the entity that will oversee licensing of digital mechanical rights for American songwriters. NSAI and SONA claimed to have worked for decades for the benefits the MLC will bring songwriters/composers, including licensing their digital mechanical royalties at no cost since the streaming music companies have agreed to fund the collective.
- 2019.07.11Evolution of music streaming economies and the decline of physical sales – An analysis
- 2019.07.08AIMP responds to US Copyright Office issuing final designated entities under MMA
- 2019.07.04Music industry sees significant shift in the way of soundscapes
- 2019.07.02Classical music stays young, has more fans than R&B and hip hop